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He reached the conclusion that the world, for the most part, was composed of scoundrels and imbeciles. Certainly, he could not hope to discover in others aspirations and aversions similar to his own, could not expect companionship with an intelligence exulting in a studious decrepitude, nor anticipate meeting a mind as keen as his among the writers and scholars. One group, educated like himself in religious institutions, preserved the special marks of this training. They attended religious services, received the sacrament on Easter, frequented the Catholic circles and concealed as criminal their amorous escapades.
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The scanty collection also included Verlaine, Mallarmé, Poe, and Villiers de l’Isle-Adam, whose firm fantastic style and poignantly ironic attitude towards the utilitarian modern world he found entirely to his taste. Finally, there only remained the little anthology of prose-poems. Des Esseintes thought it improbable that he would ever make any additions to his library; it seemed impossible to him that a decadent language–“struggling on its death-bed to repair all the omissions of joy and bequeath the subtlest memories of pain”–would ever go beyond Mallarmé.
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This plant, the Aurora Borealis, and the Albane between them displayed the two opposite poles of constitution, the former bursting with apoplexy, the latter pallid with bloodlessness. Then there is Claudian, a kind of avatar of Lucan, who dominates all the Fourth Century with the terrific clarion of his verse—a poet who wrought a striking and sonorous hexameter, beating out, amid showers of sparks, the right epithet at a blow, attaining a certain grandeur, filling his work with a puissant breath of life. Eventually, his late nights and idiosyncratic diet take their toll on his health, requiring him to return to Paris or to forfeit his life. In the last lines of the book, he compares his return to human society to that of a nonbeliever trying to embrace religion. À rebours is a novel by the French novelist Joris-Karl Huysmans.
Des Esseintes’ library did not contain many works of the centuries immediately succeeding. Notwithstanding this deficiency, the sixth century was represented by Fortunatus, bishop of Poitiers, whose hymns and _Vexila regis_, carved out of the old carrion of the Latin language and spiced with the aromatics of the Church, haunted him on certain days; by Boethius, Gregory of Tours, and Jornandez. In the keenness of the observation, in the firmness of the method, he found singular comparisons, curious analogies with the few modern French novels he could endure. They debate in the streets, rub elbows in the baths, beat each other unmercifully as in a pantomime. For years, he had not looked into these books, and it was now a far-off day when he had thrown away as waste paper the puerile lucubrations of the dismal Pontmartin and pitiable Féval, and handed over to the servants for household purposes the little histories of Aubineau and Lesserre, those feeble hagiographers of the miracles wrought by M. DURING the days that followed his return home Des Esseintes occupied himself in reviewing the books of his library, drawing from the thought that he might have been parted from them for a long period as genuine a satisfaction as he would have enjoyed if he had really been coming back to them after a serious absence.
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Then the vapor rolled up, diffusing itself beneath arcades where the blue smoke mingled with the gold powder of the long sunbeams falling from the domes. His face was the color of yellow parchment; it was furrowed with wrinkles, ravaged with age. His long beard floated like a white cloud upon the star-like clusters of jewels constellating ONE Night the orphrey robe fitting tightly over his breast. Doubtless accustomed to a sedentary existence, to a humble life spent underneath its poor shell, it had been unable to support the dazzling luxury imposed on it, the rutilant cope with which it had been covered, the jewels with which its back had been paved, like a pyx.
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To enjoy music, one must become part of that public which fills the theatres where, in a vile atmosphere, one perceives a loutish-looking man butchering episodes from Wagner, to the huge delight of the ignorant mob. For years he had obstinately refused to take part in these pious entertainments, contenting himself with his memories of childhood. That form which was now considered a decrepit and Gothic form of Christian liturgy, an archaeological curiosity, a relic of ancient time, had been the voice of the early Church, the soul of the Middle Age. It was the eternal prayer that had been sung and modulated in harmony with the soul’s transports, the enduring hymn uplifted for centuries to the Almighty.
Conceived as set speeches, they displayed a certain caustic wit, while they startled by the intolerance of their convictions. Apart from these few books, French literature, so far as his library was concerned, began with the present century. It was classified into two groups, one comprising the ordinary, profane writers, the other the Catholic authors,—a special literature, almost unknown to the generality, albeit disseminated by long established and enormous bookselling firms to the four corners of the world. He could not take his eyes off this impossible-looking orchid, indigenous to India, till the gardeners, exasperated by these delays, began to read out aloud for themselves the labels fixed in the pots as they carried them in.
The discourse which he delivered to Parliament in 1848 was diffuse and abject, but his articles, first printed in the _Correspondant_ and since collected into books, were mordant and discerning under the exaggerated politeness of their form. Conceived as harangues, they contained a certain strong muscular energy and were astonishing in the intolerance of their convictions. After Lacordaire, ecclesiastics and monks possessing any individuality were extremely rare. At the very most, a few pages of his pupil, the Abbe Peyreyve, merited reading. He left sympathetic biographies of his master, wrote a few loveable letters, composed treatises in the sonorous language of formal discourse, and delivered panegyrics in which the declamatory tone was too broadly stressed. Certainly the Abbe Peyreyve had neither the emotion nor the ardor of Lacordaire.